"He had stopped evading things, sliding through, over, and around difficulties. Before he had taken risks only with Guitar. Now he took them alone."
Song of Solomon 15 - Communion - Chapter 11 - A Vertext Discussion (also a Group Work) : Though he ends up in Shalimar for all the wrong reasons, this is the chapter where MIlkman, now missing so many of his material possessions - starts to realize how wrong-headed he has been. How could he have thought Pilate took the Gold? How could have mistreated so many of the people around him - for so long. It's also the Chapter where he starts taking real risks - including going on a moonlight hunt - with some of the same people who tried to kill him a little earlier. But the only one - he soons learns - that is after him, is his best friend Guitar. So much comes together - and the absolute best way to do it - is with a Vertext. By putting the quotes up on the screen and allowing the students to guide the conversation - they are finally putting everything they've read so far in this book - together. And with just the words of Toni Morrison. I've also included an old Group Work - but I would suggest using it only if you can't be in class - and even then I would follow through with this Vertext when the class next meets.
As always, you want to quiz the students on the reading. If they haven't read - nothing else matters that you do. I've included the quiz for Chapter 11 below.
For the hows and whys of running a Vertext Discussion - please see my page on Class Discussion Methods.
I call the Vertext "Communion" because of a scene where Milkman consumes the heart of the Bobcat that he helped kill on the hunt that night. Here is a brief summary of the Vertext:
This Vertext carries students through Chapter 11 of Toni Morrison's Song of Solomon — the "Communion" chapter — in thirty-two slides of verbatim quotes, following Milkman's arrival in Shalimar from the moment he notices the empty-handed women through the fight at Solomon's store, the night bobcat hunt, and his morning with Sweet. The quotes are sequenced to let the chapter's central transformation emerge from the students themselves: Milkman stripped, piece by piece, of his money, his car, his father's reputation, and his sense of what he does and doesn't "deserve," until he can finally walk the earth without limping. Along the way students will land on the children's Solomon song, the hostility of the Shalimar men, and the wire at Milkman's throat — all rich ground for observation, question, and connection.
The centerpiece is a slide that breaks the usual one-quote form: the skinning of the bobcat interleaved line by line with Guitar's words about love and the life of a black man, put to the class with a single prompt — what does this resemble? It's the kind of juxtaposition that a teacher-led discussion would flatten but a Vertext lets students discover, and it sets up the chapter's closing movement, where the reciprocal exchange with Sweet answers the taking and killing that came before. Expect the discussion to circle themes of masculinity, community, inheritance, and what a man has to shed before he can belong anywhere — with the critical thinking, as always in a Vertext, coming from the students rather than the teacher.
Group Work
Unlike the more recent Group Works that I've posted here - I won't summarize the questions in this space. If it is at all possible - you should use the Vertext to foster a student led whole-class discussion. It's preferrable to the Group Work, but I also understand that some days we have to miss class and Group Works are great for when you do. Here are the opening instructions - for the actual questions see the Group Work (found below):
As we get near the end of this book, the end of this year, your group work takes on new importance. You need to show yourself what you are capable of doing if you push yourself. Try to be as creative, thoughtful, and specific here as possible. Break new ground... ABOVE ALL – be specific and focused – though this is not about quantity, for this group work you should have at least 2 pages of specific answers.
See above, as well as my page on class discussion methods for how to run a Vertext discussion.
Milkman goes to Shalimar (following the gold) and he gets into a fight almost right away. Next, he goes on a hunt - and almost gets killed himself. Finally, he partakes in a strange communion - and is given the heart, and just as he is beginning to find his own.
Unlike the more recent Group Works that I've posted here - I won't summarize the questions in this space. If it is at all possible - you should use the Vertext to foster a student led whole-class discussion. It's preferrable to the Group Work, but I also understand that some days we have to miss class and Group Works are great for when you do. Here are the opening instructions - for the actual questions see the Group Work (found below):
As we get near the end of this book, the end of this year, your group work takes on new importance. You need to show yourself what you are capable of doing if you push yourself. Try to be as creative, thoughtful, and specific here as possible. Break new ground... ABOVE ALL – be specific and focused – though this is not about quantity, for this group work you should have at least 2 pages of specific answers.
The text with my notes served as a guide for the questions, comments and ideas that I ask (including Group Works) - though I was always ready for and often elicited the students ideas, questions, etc. Over the years - as I wrote notes in this text - the previous years' notes and questions become incorporated into the lesson. Again - you will find that these instructions are flexible - and I had to be - they kept changing the amount of time that we had in the classroom.
If they do not read, nothing else matters. I can't stress how important that is. The discussions will be so engaging - it will make them want to read - nothing in the world beats the excitement of a whole class discussion - and with this book if you have 30 students, you will have 30 different takes - and it's so great to see the students learn from each other.
Of course a discussion works in Remote, especially with the Vertext - and there is also the Group Work if you find that works better with your remote students.
Losing All His Stuff - Chapter 9 (part 2) and Chapter 10 - Discussion/GW
I love to watch the students faces when they put two and two together on their own. That began way back with "The History of Love" - and now with this book, with its many mysteries and misunderstandings - there is no greater thrill for a teacher than every student engaged in a whole class discussion.