Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
When I Have Fears - The Poems of John Keats: Every year, I struggled with the order of these last Romantic Poets (Keats, Shelley). I believe that I finally (after some 25 years) came to what I think was the best order for getting the most out of these incredible poems - and ensuring that they have the impact that they deserved. First we do three poems by Keats - then we read about those by Shelley - and finally we end our Unit on The Romantic Poets, by going back to John Keats - and the students act out - then we discuss one of greatest poems every written in English: "Ode on a Grecian Urn".
For this lesson - we first read aloud and discuss "When I Have Fears", and then the students will plan and act out the very dramatic, "La Belle Dam sans Merci". Finally, we will quickly (there won't be much time - read "Ode to a Nightingale" aloud - stopping and discussing as we go through it. This may take more than one period unless you are the dreaded block scheduling. For most of the time that I taught - the students did "Ode to a Nightingale" as a Group Work, and I've included that below - and I while I think that it's a powerful and effective method - I think the reading aloud and discussion is still the way to go.
You can find instructions for this lesson in THREE different places: 1) The Lesson Overview below 2) The Power Point used with this lesson - complete with instructional notes 3) My notes found on the poems.
I have included a quiz below and it covers both the poems from the students' text book and the background material on John Keats. The great thing is that they will have read "Ode on a Grecian Urn" for today - though we will not get to it for a few days (after Shelley) - so when we do that all important lesson for "Ode on a Grecian Urn", you won't need to do a quiz - and you will have the entire period for the Ode.
See the notes on the Power Point (or PDF) for much more
The last two years that I taught this lesson - I was moved by Remote Learning to create a Power Point for this lesson. It's not necessary - but it may help with focus. That presentation can be found below - both in Power Point and PDF formats. I have written down for each slide some notes on how I handled the background an poems. You can easily (and you should) turn the notes off when showing either the Power Point or the PDF. Questions to ask the students are in BOLD FACE, while the potential student answers are in parenthesis. Further points on the lines, biography, or the poem in its entirety are in italics.
PLEASE NOTE: Because it was impossible to "act out" "La Belle Dam Sans Merci" while in Remote Learning - the Power Point has an alternative method of looking at the poem: There is an incredible artist who made a Graphic Poem of "La Belle Dame" and we would read through the panels and discuss the poem that way.
Usually, I just ask - "What can you tell me about John Keats?" So many students were saddened and empathetic about Keats' death at such a young age (and while taking care of his mother and brother). During remote - and when we switched to horrible Block Scheduling, we read the through the book's intro to Keats (found on the Power Point) and talked about it a little. The information about him dying of a disease while we were in our own Pandemic - had a strong effect on the students - and it was important for me as the teacher to make sure we handled it sensitively.
I have included below, both a PDF of my notes for discussion, written directly on the student poem handout, and a Power Point (also in pdf form) with the notes embedded on the Power Point – my take is in italics, the questions are in bold face, and possible (good) answers are in parenthesis.
As always – for all of the poems – you can either have a student read the entire poem (asking for volunteers) or if you are short on time – just the lines that are up on the screen (if you're doing the Power Point). If a student reads the entire poem first, then the teacher can read these poems when they ask the questions. What follows is just a short sentence or two on each of the poems covered.
The first slide after the biographical material has the epigraph from the first novel we covered in this course, John Gardner's Grendel. "And if the Babe is born a Boy / He's given to a Woman old, / Who nails him down upon a rock, / Catches his shrieks in cups of gold." See the linked lesson for more on how we originally covered it. For this lesson, it's important and illuminating: They have just read about John Keats's tragic short life - and the epigraph suggests that the reason he was able to create such "gold" (beautiful verse) has something to do with the tragedy he lived through.
This naturally follows the epigraph. Again - see my notes below (in the Power Point and separate) for details on the poem - but suffice it to say that Keats relates his fears that he will die before he experiences either having written greatly (fame) and/or romance.
Unless you are teaching remotely (see below) you will want your students to "act out" this poem. You won't have a lot of time, but the stanzas that the students are acting out are very short - so the students won't need a lot of time to get ready.
Quickly - I usually did this by pointing or by rows and it took under a minute - divide the class into Six Groups. Group 1 gets stanzas 1 & 2; Group 2 gets stanzas 3 & 4; Group 3 gets stanzas 5 & 6; Group 4 gets stanzas 7 & 8; Group 5 gets stanzas 9 & 10; Group 6 gets stanzas 11 & 12.
Next, tell the students that they will have 5-8 minutes to prepare their two stanzas for presentation. Remind them they should all be involved - they can one narrator if they wish and the rest act - but OVER THE TOP is always good. They want to make their short scene come alive. They should also touch base with the group that comes after them so that there is a smooth transition. Because this is close to the end of the year - they will have done this kind of acting out of poems (the first was "The Seafarer" all the way back in the Anglo-Saxon era) many times.
Announce when 2 minutes is left to make sure they've planned an interaction with the Group after them.
Remind them that they are now (except for those performing) an audience - and all planning and talking is over. Get the first Group up in the front of the room - and announce that the Group that follows the one performing should be up and ready to go on - it will all go quite fast. Also tell them to hold their applause until the end and all Groups have performed.
You won't have a lot of time to discuss the performance - but make sure you ask:
What happens in this poem (Literal before Figurative)
What happens to the knight - ultimately?
How can you link it to the previous poem, "When I Have Fears" and to Keats;s life?
This is how we covered this poem the last few years of my career. Two years remote - and one year in person. It is such a beautiful, dark, poem - that given what was happening during the Pandemic, it made sense to make sure that I, the teacher was a part of the discussion - gauging and helping guide the students as we read the poem aloud in class. It also helped that the periods were longer - we were able to do 1) The Biographical Material 2) The first two poems (when we came back to in person, I switched back to having the students act out "La Belle Dame sans Merci" (see above) 3) Reading aloud - and discussing, as we went, "Ode to a Nightingale".
For the discussion you can use the Power Point (below) for focus - having a student (just go down the rows) read what is up on the screen and then talking about what was just read. I have included my notes (questions, answers, comments) for each of the "Ode to a Nightingale" slides - and I have also included below my handwritten notes (there's a lot more there) that I wrote directly on the poem.
This is an alternative to doing "Nightingale" as a class read & discussion. It is one of my best Group Works - but in the end I still believe that I prefer the Discussion outlined above. This is a different kind of Group Work - it is designed to be used with a "cold reading" of both "When I Have Fears" and "Ode to a Nightingale". Much like when they worked in small groups for reading aloud parts of Macbeth and Twelfth Night - the students will, within their groups, take turns reading aloud the poem -then stop and answers the questions related to those respective lines.
There are also two extra-credit assignments. The first is to consider the poem "Bright Star" by John Keats and relate to "When I Have Fears" and "Ode to a Nightingale". The second is to watch the film "Bright Star" about the life of John Keats and answer a question.
I created this Power Point for Remote Learning (during the Pandemic) but it can be just as useful for keeping the discussion focused during in-person instruction. HOWEVER - If you are in person, A detailed explanation of the presentation can be found above AND a version with detailed speaker notes is also available. You can easily (and you should) turn the notes off when showing either the Power Point or the PDF. Questions to ask the students are in BOLD FACE, while the potential student answers are in parenthesis. Further points on the lines, biography, or the poem in its entirety are in italics.
This is a different kind of Group Work - it is designed to be used with a "cold reading" of both "When I Have Fears" and "Ode to a Nightingale". Much like when they worked in small groups for reading aloud parts of Macbeth and Twelfth Night - the students will, within their groups, take turns reading aloud the poem -then stop and answers the questions related to those respective lines.
There are also two extra-credit assignments. The first is to consider the poem "Bright Star" by John Keats and relate to "When I Have Fears" and "Ode to a Nightingale". The second is to watch the film "Bright Star" about the life of John Keats and answer a question.
If you can read my handwriting, these notes will give the most complete interpretation of the poem. The Power Point is more handy for actually showing the questions (and answers) that go on in class discussion but these certainly have their own merit. These notes also include the Stanza Divisions for having your students act out the poem.
I have included the travel excerpt about Keats - an explanation can be found in the Power Point and Lesson Overview above. These poems are given lots of space for the students to take notes. And they should take notes. If you ever listen to any of the recordings of these class discussions you will hear me exhorting the students to take notes - sometimes calling students out if they're not. When students came back to visit from college (or after) they often talked about the advantage they felt they had over their classmates by being so adept and comfortable with taking notes in the classroom.
We go over three poems - two we read and discuss, the third we act out. The first is about Keats's fears that he will die before two things happen. The next poem is about a nightingale in the woods - and how he wishes to join it - through song or through wine. Finally they act out a poem that serves as a wonderful metaphor for the other poems.
This lesson can also be done without a quiz - with the students doing a "cold reading" of the poems. The great thing is that they will have read "Ode on a Grecian Urn" for today - though we will not get to it for a few days (after Shelley) - so when we do that all important lesson for "Ode on a Grecian Urn", you won't need to do a quiz - and you will have the entire period for the Ode.
The Power Point above works great for teaching this remotely - in fact, it was created for remote learning.
This lesson begins with one of the most effective oral readings of a poem that ever happened in my classroom. We do a choral reading of Shelley's "Ozymandias" - the entire class (and me) begins the poem, reading it aloud. And then I move past each respective row - and as I do that row drops out. By the time that we get to the final three lines - I am speaking alone - and read it in a loud whisper. It gave me (and many of my students) goosebumps, each and every time that I did it over some 30 years. I then show a scene from the TV series, "Breaking Bad" whose episode is named "Ozymandias" for very good reason - and let the students make the connection to the poem, but also give them a chance to see how this poetry can still speak to us, some 200 years later.
The majority of the classtime, however, is given over to the students reading (either to themselves or in a small group) Shelley's "To a Skylark". I usually gave them the choice of whether to work in a group or not - but in case, they can't finish the assignment in class - and the rest was to be completed on their own time. The Group/Solo work makes connections to Keats, Byron, Wordsworth, and of course the other skylarks that we've encountered this year in our class together. The Handout includes the poems "Ozymandias", "To a Skylark", "My Soul is Dark" by Bryon, and "To the Skylark" by Wordsworth (all of these referenced in the Group / Solo Work). There is also a Power Point which includes the background information on Shelley - as well as a way to read and discuss "To a Skylark" together, as a class.
These poems are dark - they are serious; but, like most of John Keats's verse - they ultimately life-affirming and uplifting. With "When I Have Fears that I may Cease to Be" - here we are reading and discussing his poems - he is immortal. And while he is tempted to join the Nightingale in the "dark woods" - he ultimately decides against it - or he joins its song through his poetry.