"It probably served Jim right, what he got. But still we miss him round here. He certainly was a card!."
Off the Top - "Haircut" by Ring Lardner: So why begin the final "round" with this story about a town bully who ultimately get his comeuppance? Well, the simplest answer is that this text used to be at the beginning of the year - originally in a short Unit on Justice (along with "The Jar" and "Counterparts"), and I didn't get to it one year - and I didn't want to skip it - so here it is. But it really is a great way to begin our last few stories. First, it grabs the students' attention. And it poses some great questions for High School Seniors to ponder as they're about to head off into the world on their own. Finally, it's linked back to our lessons on Hemingway, Bullying, Truth, and more. It is a perfect story to spend an hour talking about with these wonderful people who were my students. I always did this as a Ringmaster Teacher Discussion.
Would it be my class without a reading quiz? Seriously, towards the end of the year the students have gotten so good about doing their reading (and wanting to get credit) that I will sometimes omit the actual quiz if we are pressed for time. However, I also feel that these end-of-the-year lessons are SO important - I want to make sure that they are a part of them. And, towards the end of the year - students are absent from class more and more (college visits, AP Tests, senior cut day, etc.) - so far from skipping the quiz, I will make it worth an inordinate number of points. By doing that it eliminates unneccesary absences AND it makes sure that those students who are legitimately absent will be sure to make it up (by listening to the recording.)
You can find my Lesson Notes both in a transcribed, easy to follow version, and my original handwritten notes below. Here is what we tried to do in the lesson:
Ring Lardner's "Haircut" was one of the last stories I taught my seniors each spring. The 1925 story is told by Whitey, a small-town barber who chats to a customer about Jim Kendall, the town's favorite practical joker, now dead. The discussion opens with a simple question, "What kind of narrator is this?", and that question runs through the whole lesson. Whitey keeps insisting Jim was "a card," and students slowly realize that the story's meaning lies in everything the narrator fails to see. Early on, the lesson also links the story to Hemingway's "My Old Man," to Eight Men Out, and to Littleton and the bullying cases that students knew all too well.
The center of the lesson is Jim's jokes, and the questions turn quickly from the story to the students themselves. Did anyone laugh? Why? What does that say about us? Students compare the story's humor to the soldiers' gallows humor in All Quiet on the Western Front and The Things They Carried and ask how it differs. They look at how and why Jim's jokes are cruel, and what it means that he often never saw the punchline. From there the discussion asks whether Jim is a monster and why a town would live through him. Seniors were weeks from their own ceremony, so one question asks why, at graduation, the biggest bullies often get the biggest applause. Further questions look at Whitey's attitude toward Jim and his repeated "He's a card," which seems to protest too much.
The second half follows Julie, Doc Stair, and Paul, the three people Jim targets or underestimates, through the cruel trick on Julie and Jim's death in the duck blind. Students ask why it matters that Doc becomes the coroner and whether Doc had anything to do with Jim's death. A short glimpse of Jim's own wanting raises a harder question: does knowing why he is the way he is excuse him? The lesson ends on deeds and deserving. We are the sum of our deeds, and the questions ask what Jim deserved and what any of us deserve, without letting students simply rationalize. Here the story links back to the whole year: Milkman in Song of Solomon, Leo's fear of being forgotten in The History of Love, Esperanza and the book she writes in The House on Mango Street, and Candide's advice to tend your garden. The final question returns to the last page. How does the barber mean what he says, and is the story really about what the barber doesn't know?
Because this was among the last things my seniors read, I wanted it to do two things at once. I wanted it to pull together the books we had shared, and to send students off thinking about how they would treat people, without my preaching to them. The story makes that possible, because Lardner never states the lesson. The reader has to see past Whitey and the laughing town on their own, and then decide what kind of audience they want to be.
See the above Lesson Overview for a general path that I took in teaching this lesson. But these transcribed notes will allow anyone to teach this text - and it can be easily edited for how you teach as well as what you teach before it. The Lesson Notes are from many years are ammended each year as the students add and contribute to the discussion.
These are my Handwritten lesson notes for the story. See the above Lesson Overview for a general path that I took in teaching this lesson. The Lesson Notes are from many years are ammended each year as the students add and contribute to the discussion. I hope you can read my handwriting! I've included the earlier notes - from one of my first years teaching.
In the years that students didn't have access to the text book or I wanted them to be able to write on the story - this is the handout they received.
My lessons come from my own readings (in addition to student input) - here are my notes over some 30 years on this story.
If they do not read, nothing else matters. I can't stress how important that is. The discussions will be so engaging - it will make them want to read - nothing in the world beats the excitement of a whole class discussion - and with this book if you have 30 students, you will have 30 different takes - and it's so great to see the students learn from each other.
We discuss the short story "Haircut". We were lucky enough that a few days earlier a student asked what was so important about the story (that we have saved it for the end of the year) - and we we build our discussion around that idea. Just "what makes this important"? What does it have to do with our own lives and are we wrong to laugh at the jokes of Jim Kendall.
When I am giving my lecture on Ernest Hemingway (Either Part 1 or Part 2 - depending on how time is going) I mention the horrible incident when Hemingway's wife, Hadley, accidentally left a suitcase with all of his early writings on a train. Every early story was lost - except for one. That one story was "My Old Man" and that story (read by students during our In Our Time unit) survived only because it was in the mail in the middle of being rejected by a publisher. Most critics agree (and my students) agree that it is nothing like any of the other stories found in In Our Time. It's an earlier, inferior work - and it shows. But it also shows given that its style and structure just how much Ernest Hemingway admired the author of today's story "Haircut". Losing all of ones early work (like I lost all of my first year's lessons) can actually be a good thing. Another connection with Song of Solomon - and losing our "things" so that we can fly.