"My heart leaps up when I behold / A rainbow in the sky:
So was it when my life began; / So is it now I am a man;
So be it when I shall grow old, / Or let me die!
The Child is father of the Man; / And I could wish my days to be
Bound each to each by natural piety." William Wordsworth
Romantics 1 - Rainbows - An Introduction to the Romantics: One of my favorite lessons for one of my favorite units. In fact, students would come back 20 years after they had my class - and the beginning of today's lesson would stick out in their heads. I owe so much of this lesson - and everything that I did in this unit to my wonderful Professor at UIC, Gene Ruoff - to whom I dedicate this unit on this unit on the Romantics.
The lesson begins with a demonstration involving darkness and light (see my description below) - this is what students really remember and I have to say, it is pretty cool. We then talk about what makes the Romantic Era, the Romantic Era. We discuss (briefly) Lyrical Ballads by Wordsworth and Coleridge. Next, we read the first poem in that collection: "My Heart Leaps Up", and talk about what it means.
We then read our only nonBritish poem of the year - "A Child Went Forth" by Walt Whitman - and we read it as we walk through the halls of my school, observing the people around us as we read (and go forth). When we make it back to our room, I play the song "The Cat's in the Cradle" and the students put this together with everything else that we've done so far that day.
I tell a very personal story about rainbows and the wonders of small children seeing their first one - and we end the class with Eva Cassidy's incredible "Somewhere Over the Rainbow."
Because this lesson takes so much time (40 to 50 minutes) I rarely gave the quiz (or test, because it is worth 200 points as it is a longer nonfiction reading) on the day we did the lesson. I would usually work it in to the class before (preferred - which then means the reading of the Introduction to the Romantics needs to be the class before) or the class after (not a great option - you'll want to have a discussion about what makes something a romantic text - and that is best done if the students have read the intro. In any case, I've included the test below. See my handwritten Lesson Notes for more details on what follows.
Please note that I did create a Power Point to go along with this to help with focus. It follows the lesson as both described below and in my hand-written Lesson Notes (also below).
Before you begin this demonstration, it is imperative that you CLOSE THE SHADES OR CURTAINS of your classroom windows. The tough part is remembering to do this for every class. This is a great - what my college education teacher used to call a discrepant event (my first department head when I gave him that name called it "decrepit event"). As I said in the intro at the top of the page - students would come visit 20 years after they graduated and they'd remember this... BTW - I would kiddingly tell the students that what follows was the quiz for the day...
Turn off the lights and ask the students, "What AGE is this?" (wait a second - someone will get it): THE DARK AGES
Now turn on the lights - pause - then ask, "What AGE or ERA is this?" - Again - it might take a second but someone will get shout out: THE ENLIGHTENMENT
Turn the lights back off - go to your window - and as quickly as possible (sometimes I've arranged to have students help me) open the curtains (blinds) and ask "Now what era is it?" The wait for this may be the longest - but I guarentee you, if students are doing their reading - and this is WHY you want students to read on their own - someone will put it all together and say: THE ROMANTIC ERA.
You should never have to explain this - in fact, I believe that if you did it would diminish it. The Enlightenment uses the artificial, scientifically constructed lights - while the Romantic Era relies on Nature for its illumination.
You can either pass the handouts out now - or better yet, have them on the desks when the students come in (you'll need every second today.). The students (and you can reference that handout as you do this section).
Begin with a nod to the previous era - have a student read Alexander Pope's quote about "a blade of grass" In other words - if you want to study man - study man - don't go pussyfooting about with other areas of nature.
The Romantics are DIFFERENT. If you want to know MAN do look at a blade of grass. We are reflected in Nature.
Ask the students what the name of the book that is credited with beginning the Romantic Age: "Lyrical Ballads"
When was it published? (1798) - Remind them this is an inversion of 1789 - the year of the French Revolotion which had an enormous impact on the Romantics...
What was the motto of the French Revolution? liberte, egalite, fraternite.... Liberty, Equality, Fraternity - this too has a huge effect on the Romantics' philosophy.
What were the four big precepts of the Romantics?
Nature 2. Everyday Language 3. Everyday Life 4. Imagination (for this last one stress this is so much more Coleridge than Wordswoth - and they will see that when we get to his verse.
Read the excerpt by Wordsworth found on the handout: "incidents and situations from common life, and to relate or describe them througout, as far as was possible, in a selection of language really used by men, and, at the same time, to throw over them a certain colouring of imagination, whereby ordinary things should be presented to the mind in an unusual aspect [imagination]"
On the handout (the last page) there is an extended quote from "A Child's Christmas in Wales" about the books that answered all the questions except "WHY?". This is great to bring up in the lesson as it shows that difference from the previous time period, "The Enlightenment" when there was so much focus on the HOW - and very little on the WHY ("a blade of grass is a blade of grass..."
Read the poem, "My Heart Leaps Up" by Wordsworth. Go through each line - one by one asking the students what they think the lines LITERALLY (rule #1 of understanding Poetry) mean. (He still gets excited by rainbows and hopes to till he dies. Make sure they understand what "The Child is the father of the man" means. Ask until you get the correct answer - there will be lots of possible answers - but only one correct one - and getting that correct answer is crucial to not only understanding the Romantics - but for the rest of the year as well (in fact, the line appears in a a Grendel Group Work that the students did many many months ago). The answer is: the things that happens to us when we are young - beget or form ("father") what we become when we are older.
Have the students look at the pictures on the handout - What picture goes with the acorn? (an oak tree). Why the baby and two grown men? Because the baby - depending on what happens to them, can become a Pope (picture of John Paul 2) or a killer (the Unabomber). Again - the students will come up with this on their own and it's important that you let them.
Now have the students stand up and grab their handouts. Have them look at Walt Whitman's poem, "A Child Went Forth" - explain that YES Walt Whitman is not a Romantic - in fact, he's not even British.... BUT..... Divide the poem up - about every 8 lines or where there is a stanza break. Ask for volunteers - tell them they will have to read quickly, loudly, and while you are all walking. And then do that! Walk through your hallways - observing all around you and outside the windows as you read this poem - go through each of the students and remind students to look about them and to listen.
I tell the students a very personal (but appropriate) story about how - when I was a little 5 year old - I witnessed my mother telling a neighborhood racist off, and how that had even had a lifelong effect on who I am as a person ("The child is the father of the man"). You can hear the story in the class recording below.
Next - I play the song "Cats in the Cradle" by Harry Chapin. The students have the lyrics on their handout (found below). Again, I don't like hitting students over the head - the best part of teaching (in my opinion) is letting them make these very serious, very deep connections on their own.
Another personal story. This time about a bike ride long ago with a very dear friend where we both unexepectedly witnessed a young child seeing their very first rainbow. You can listen to the complete story on the Class Recording below.
Finally, I quickly tell the students about the bitter-sweet short life of Eva Cassidy - and her finding that rainbow, and then having to too soon leave it all behind. I then play her incredible version of "Somewhere Over the Rainbow" to end the class.
See above for compact instructions, these handwritten directions are much more complete. I tell two personal stories in this lesson (see above). One of those can be found below - for the other you will have to listen to the recording.
The students are given the parts of the equation - and really have to put everything together themselves. One thing the teacher must watch very closely here is time. This lesson was generally done in 40-50 minutes.
See above for compact instructions, these handwritten directions are much more complete. I tell two personal stories in this lesson (see above). One of those can be found below - for the other you will have to listen to the recording.
The students are given the parts of the equation - and really have to put everything together themselves. One thing the teacher must watch very closely here is time. This lesson was generally done in 40-50 minutes.
A four page handout (these are NOT in the order they appear in the lesson):
Page 1 - "A Child Went Forth" by Walt Whitman
Page 2 - The historical background (see Lesson Notes above)
Page 3 - Lyrics to "Cat's in the Cradle" and "Somehwhere over the Rainbow"
Page 4 - excerpt from Dylan Thomas & background on Eva Cassidy
The first song is "The Cat's in the Cradle" by Harry Chapin. The students have the lyrics on their handout above and it is used after the story I tell the students about my mother putting a neighbor, a racist, in her place and the effect seeing that had on me. - see class notes.
The second song is Eva Cassidy's version of "Somewhere Over the Rainbow". I play this at the very end of the class, after I've told my rainbow story and after an introduction to the singer and the tragic circumstances of her finally reaching that place, "over the rainbow."
As I said many times above - you probably want to give this quiz the day before you do this lesson UNLESS you are on block schedule (and have more time). You'll want to have every available second to fit everything that you are doing in today.
We begin with a little test to differentiate between the ages - and then we jump right into the lesson. What made the Romantics different? What did they lean on for their poetry? We read "My Heart Leaps Up," and we talk about that all-important line, "The child is the father of the man." I tell a few personal stories that illustrate this idea and we listen to two songs.
The Power Point above works great for teaching this remotely - however, you will be challenged to try and pull off the demonstration (see above) that begins today's class.
This is very subversive lesson. Many people love this poem - but I am not one of them. Gray is considered a preRomantic for a reason - his language is flowery, and though the poem is about "the simple people" (as he would say) - it is definitely not from their perspective. In fact, I find it downright patronizing. HIs central thesis is that there many wonderful people who live and die in the country (away from London) but because of their location - their lives go unnoticed (like flowers blooming in the desert). What nonsense! These people's lives are just as full and fruitful as the learned in their city.
As I said, students remember this lesson - they would remember it 20 years after the fact AND the little demonstration that begins the lesson is actually from my student teacher days - making it one of the oldest continuing lessons that I ever taught. In fact, it was also probably the first lesson that I ever taught.